A zoned-out-suicide-prevention-hotline operator and exotic-dancer-turned-pet-detective embarks on a ridiculous caper in this campy, noir mash-up of Law & Order and Charles Busch, featuring Nora Woolley, Kim Katzberg and plenty of pets.
Like Katzberg’s past work, STRAYS is inspired by autobiography, but is heavily fictionalized with larger than life characterizations and tons of meta-theatrical hijinks. The twisted, surprising story follows Terry, a zoned-out suicide prevention hotline operator, ex-exotic dancer and accidental pet detective whose attempts to locate a missing cat result in her revisiting a life she swore she left behind.
STRAYS is unlike any two-person play yet seen. Katzberg, Woolley and Cion cut open the genre and turn it inside out. With two actors playing all of the same characters, the show takes on a metaphysical dimension and explores the metaphors of self-reflection and mirroring. In addition, two actors embodying the same parts explores the slippery nature of identity. The characters in STRAYS show fluidity and plurality, investigating the idea that identity is hard to pin down. It is also an acting tour de force. Low-fi video intertwined with live performance furthers the mirroring metaphor and shows the evolution of Terry – our ex-stripper, ex-addict and ex-family scapegoat hero – as she overcomes a male-dominated culture and finds her authentic self… and that darn missing pussy!
Performed at The Brick (Artist-In-Residence)
Featuring Nora Woolley and Kim Katzberg. Directed by Raquel Cion, Lighting design by Derek Wright, Set Design by Kerry Chipman, Artwork and Animation by Maia Cruz Palileo, Stage Managed by Laurel Detkin
In DARKLING, it’s 1987, and thirteen-year-old Trinity is obsessed with three things: Goth figurines, losing her virginity and being just like her troubled older sister. When her sister commits a daring escape from a boarding school for wayward girls, Trinity must decide whether to follow her into fantasy and madness, or remain in the affluent suburban world that drained her mother’s soul. Could there be another choice? A one-girl show about growing up without giving up.
Performed at IRT Theater (Artist-In-Residence)
Directed by Raquel Cion. Lighting and Set Design by Josh Iacovelli. Stage Manager, Laurel Detkin. Technical Engineering by Tei Blow, Property Design by Maia Cruz Palileo.
Penetrating the Space
Kim Katzberg stretches the usual boundaries of one-woman shows with PENETRATING THE SPACE, a tragicomic send-up of every confessional solo show you’ve ever hated — where female performers re-objectify themselves by looking for sympathy in talking about abuse. Jinny Jikkyl is an unhinged bisexual performance artist and incest survivor who mistakenly believes that theatricalizing her psychological fragmentation and integration in front of an audience will lead to mainstream acceptance in the acting industry and a big-time agent. PENETRATING THE SPACE upends the archetype of the damaged girl putting herself in front of an audience and rapes the form of traditional theater through penetrating the space with video, sculpture, animation and performance art.
Performed at HERE Arts Center
Directed by John Harlacher. Set and lighting design by Josh Iacovelli. Production management by C. J. Thom. Original animation and sculpture by Maia Cruz Palileo.